Toronto native Margaret Atwood is not only one of Canadian literature's best authors, she's become something of a worldwide phenomenon duringher three-to-four decades long tenure as a truly recognizable talent. As a poet, novelist and short story writer, her insightful, sardonic voice is at once mysterious and lucid, her prose and arrangement of words an evocative display of brilliant art. Her 2006 semi-autobiographical novel (written in short story form) Moral Disorder is no exception to her long line of superior work. A thinkpiece and generational purview of life, love, fate and existence, the book reflects Atwood's one-of-a-kind take on the western tradition.
The accompanying stories and episodes present a swirl Nell's life, both past and present, looking back on her childhood and young adulthood, her tentative teenage relationships and first job as a freelance editor. Things are fastforwarded to when Nell meets Oona, a life-wearied woman with two children and married to Tig; Nell soon after becomes the "second wife" amid fluctuating reactions. Nell's world is one of incohesion and relational dissonance, evoking a life bonded together by an isolated, soulless web of "moral disorder". Swooping back and forth in time and soberly assessing everything from fashion to children to social upheaval and inflation, Atwood's stories are as absorbing as they are dismal, extracting a gripping morbidity with both empathy and remote interest. (FIC ATWOOD)
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