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The author, Fadia Faqir, tells the story as a mosaic, showing us small parts of Salma’s life in seemingly disjointed order. Some of the parts are pages long, others just a brief paragraph, a glimpse of a scene We see her in the hills herding goats, as a love-struck teenager, and then are abruptly brought back into the bleakness of her present circumstance. In Exeter, with her pidgin English and work as a seamstress for low wages, Salma is driven by loneliness to venture into pubs, looking for companionship. The juxtaposition of the different times of her life works by capturing our engagement in our present while being carried by currents of the past.
Salma’s particular tragedy and its pain speak to us, as we in the West seek to discover how these new neighbors of ours are like us and not alike. Faqir shows us the suspicion and misguided ideas that confront Salma regarding her identity, as an Arab and a Muslim, and in tandem with these we see our Western culture with her eyes, helping us to see what is strange to her and to other foreigners.
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