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Thrown together as freshman roommates at Harvard in the fall of 1954, Sam Standish, Archibald P. Palmer III ("Archie") and Henry White quickly hit it off, bonding through their mutual affinity for women, alcohol and other 'gentlemanly' pursuits. On their own for what's really the first time, none feel the least bit homesick. Rather each has reason to put some distance between home and school and would rather establish new identities within the collegiate microcosm than dwell on where they came from. Blue-blooded Sam would seem the most prototypical Ivy Leaguer with his New England roots, an established family name, old money wealth and a boarding school upbringing. Yet that's exactly the classification he wants to separate himself as any silver spoon perks he does have are smoke and mirrors. In all honesty, Sam's parents are a public embarassment: his father's a notorious drunk and his slatternly mother's well-known for her parade of casual affairs. If that weren't reason enough to seclude himself from his preppy brethren, there's the fact that he's also adopted--a secret only he, his parents and the family lawyer know about.
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As a lifelong military brat, Archie has no real roots other than wherever his father's been stationed and nothing so exceptional for a surname absent the deceptively prestigious roman numeral at the end giving off the suspicion of elite breeding. His easy manners and worldwise nature never find him without friends and, consequently, never without a free drink in his hand or a fun-loving girl on his arm. Diametrically opposite of Sam and Archie is Henry, a New York City native who got into Harvard on full academic scholarship. Despite attending one of the crummiest public high schools in Brooklyn, he's nevertheless among of the smartest, most well-read and hardest-working freshman students around. Henry's no nerdy outsider though. His booksmarts and unfashionable looks don't offset his equally acute knack for adapting and fitting in. Just like the other two though, Henry has his uncomfortable past issues which he'd prefer not to get into: he's Jewish, a Polish immigrant, he hid in a cellar during the Gestapo raids, all extended family apart from he and his parents were gassed, etc. On the surface, Henry's tragic past doesn't seem too encumbering. He's upbeat and on top of things mostly, into girls and good times and happy to be out of earshot of his squawking mother, until the day everything changes bringing the three friends into contact with a daunting truth and a decision which could haunt their lives forever.
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Begley knows how to tell a story. Even writing about the holocaust, a genre so top heavy with personalized fiction accounts, the author's ability to peak a reader's interest is remarkable. He writes with a sort of casually sedated style, relaying information about each character with practiced nonchalance. Somehow this gives the story an alarming level of assiduity, the reader keen on all of the subtle moods and motives of the trio of friends who seem like your closest kin (imperfections and all) rather than literary characters. Narrated in past tense by Sam recollects everything from first impressions to girlfriends to nights out on the town as the book moves along at a solid pace, never revealing too much too fast yet offering enough crumbs for the reader to keep the pages turning as the accessible prose slyly allows everyone in to the lives of the three protagonists. (FIC BEGLEY)
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Begley knows how to tell a story. Even writing about the holocaust, a genre so top heavy with personalized fiction accounts, the author's ability to peak a reader's interest is remarkable. He writes with a sort of casually sedated style, relaying information about each character with practiced nonchalance. Somehow this gives the story an alarming level of assiduity, the reader keen on all of the subtle moods and motives of the trio of friends who seem like your closest kin (imperfections and all) rather than literary characters. Narrated in past tense by Sam recollects everything from first impressions to girlfriends to nights out on the town as the book moves along at a solid pace, never revealing too much too fast yet offering enough crumbs for the reader to keep the pages turning as the accessible prose slyly allows everyone in to the lives of the three protagonists. (FIC BEGLEY)
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