Sleeping in subway tunnels around Bucharest are the casualties of a fallen era. Disposed of, disheveled and drug-dependent, they're among the 30,000+ homeless children of post-communist Romania. 'Children' is no exaggeration, either, with kids aged 3 or 4 routinely cohabitating with 'elder' youths; mutually sharing scrounged-for food fragments, cardboard boxes, clothing and paint-thinner. The state being woefully ill-equipped to face things, the problem has essentially become part of the scenery, a permanent fixture on the post-socialist landscape. For a period of three months, German director Edet Belzberg and a low-budget film crew monitored a handful of subway children, carefully divulging the origin and reason for each's displacement and examining the bitter reality of the mostly ineffectual attempts at intervention. In typical intrusive fashion the camera preserves the excruciating innocence of each child who, amidst the backdrop of a broader world, remains painfully unaware of their surroundings. 'Susceptibility' doesn't begin to describe their plight. Life's not so much day-to-day as it is moment-by-moment with their turbulent existence only perpetuated by hunger, disease, ignorance and brutality. Every instance, every confrontation, every awkward image of normal life drifting past is brilliantly captured by Belzberg, leaving the audience without a doubt that each kid is still just a kid, inhabiting a perversely distorted world of confusion, desperation and neglect.
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