It didn't take Mary Ann Evans too much time to realize she was as good a writer as many of her contemporaries. 'The Movement' of literary realism in reaction to 19th century Romanticism (think Jane Austen) was unquestionably male dominant; forefronted by Dickens, Thackeray, Trollope, Hardy and the like. But her ultimate decision to write as "George Eliot" became redundant, however, as her work proliferated worldwide cementing her legacy amidst the pillars of Victorian literature. Gifted with astute clarity and a sharp eye at interpreting human behavior, Eliot's writing concerns very commonplace rural and small town lives central to her own location in the Midlands.
In Adam Bede, a young carpenter's devotion to a strikingly beautiful farm hand turns sour when she catches the eye of the local landowner. The passions of both men climax at the realization of each's feelings. The real genius of this book is Eliot's use of few characters and even fewer settings as opposed to a Dickens novel where people and places reach into the dozens. Australian David Case masterfully enhances the story's mood and maintains the reader's interest in each character. Though the realism abides throughout, the tone is never somber or cynical and all four protagonists contain just the right amount of ambiguity to create an intriguing plot with no heroes or villains. Even the seemingly victimized are never cast a shadow over as redemption and reconciliation are present by the story's end. (AD FIC ELIOT)
In Adam Bede, a young carpenter's devotion to a strikingly beautiful farm hand turns sour when she catches the eye of the local landowner. The passions of both men climax at the realization of each's feelings. The real genius of this book is Eliot's use of few characters and even fewer settings as opposed to a Dickens novel where people and places reach into the dozens. Australian David Case masterfully enhances the story's mood and maintains the reader's interest in each character. Though the realism abides throughout, the tone is never somber or cynical and all four protagonists contain just the right amount of ambiguity to create an intriguing plot with no heroes or villains. Even the seemingly victimized are never cast a shadow over as redemption and reconciliation are present by the story's end. (AD FIC ELIOT)
No comments:
Post a Comment